This book presents a critical analysis of the images of China
portrayed in British television documentaries between 1980 and
2000. The examination is contextualized within the profound
transformations of the post-reform China and global political
structures in the last two decades of the 20th century. Using an
innovative analytical framework based on Vladimir Propp, the book
focuses on how different images of China are constructed through an
effective use of TV narrative strategies. In particular it details
how various strands of (Western) modernity underpin major
discourses about China. The book will be valuable to the
understanding of how China was perceived in the West during one of
the most dramatic moments in modern history.
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