Reading James Joyce's "Ulysses" with an eye to the cultural
references embedded within it, R. Brandon Kershner interrogates
modernism's relationship to popular culture and literature.
Addressing newspapers and "light weeklies" in Ireland, this book
argues that "Ulysses "reflects their formal innovations and
relationship to the reader. Ultimately, Kershner offers a
corrective to formal approaches to popular literary genres,
broadening the spectrum of methodologies to incorporate social and
political dimensions.
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