Modern literature has always been obsessed by music. It cannot seem
to think about itself without obsessing about music. And music has
returned the favour. The Routledge Companion to Music and Modern
Literature addresses this relationship as a significant
contribution to the burgeoning field of word and music studies. The
37 chapters within consider the partnership through four lenses-the
universal, opera and literature, musical and literary forms, and
popular music and literature-and touch upon diverse and pertinent
themes for our modern times, ranging from misogyny to queerness,
racial inequality to the claimed universality of whiteness. This
Companion therefore offers an essential resource for all who try to
decode the musico-literary exchange.
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