This book is a study of recent autobiographies by French and
Francophone African writers and filmmakers, all of whom reject
simple first-person narration and experiment with narrative voice
and form to represent fragmented subjectivity. Gabara investigates
autobiography across media, from print to photography and film, as
well as across the colonial encounter, from France to Francophone
North and West Africa. Reading works by Roland Barthes, Nathalie
Sarraute, Assia Djebar, Cyril Collard, David Achkar, and Raoul
Peck, she argues that autobiographical film and African
autobiography, subgenres that have until now been overlooked or
dismissed by critics, offer new and important possibilities for
self-representation in the twenty-first century. Not only do these
new forms of autobiography deserve our attention, but any study of
contemporary autobiography is incomplete without them.
General
Is the information for this product incomplete, wrong or inappropriate?
Let us know about it.
Does this product have an incorrect or missing image?
Send us a new image.
Is this product missing categories?
Add more categories.
Review This Product
No reviews yet - be the first to create one!