Reconsiders the lyrical norm that predominates in Anglophone
accounts of poetry through a multilingual and transnational
lensThis book examines poets and artists in the Americas during the
late twentieth and early twenty-first centuries to show how they
worked to make language into material objects and material objects
into language. It builds a theory of 'material poetics' that
provides an alternative account of poetry in hemispheric America.
Rebecca Kosick argues that by reframing American poetry to
prominently include object-oriented practices within and beyond the
United States, material poetry can be seen as representing a
significant branch of the American poetic tradition.
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