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Two-World Literature - Kazuo Ishiguro's Early Novels (Hardcover)
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Two-World Literature - Kazuo Ishiguro's Early Novels (Hardcover)
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In this convincing and provocative study, Rebecca Suter aims to
complicate our understanding of world literature by examining the
creative and critical deployment of cultural stereotypes in the
early novels of Kazuo Ishiguro. "World literature" has come under
increasing scrutiny in recent years: Aamir Mufti called it the
result of "one-world thinking," the legacy of an imperial system of
cultural mapping from a unified perspective. Suter views Ishiguro's
fiction as an important alternative to this paradigm. Born in
Japan, raised in the United Kingdom, and translated into a broad
range of languages, Ishiguro has throughout his career consciously
used his multiple cultural positioning to produce texts that look
at broad human concerns in a significantly different way. Through a
close reading of his early narrative strategies, Suter explains how
Ishiguro was been able to create a "two-world literature" that
addresses universal human concerns and avoids the pitfalls of the
single, Western-centric perspective of "one-world vision."Setting
his first two novels, A Pale View of Hills (1982) and An Artist of
the Floating World (1986), in a Japan explicitly used as a metaphor
enabled Ishiguro to parody and subvert Western stereotypes about
Japan, and by extension challenge the universality of Western
values. This subversion was amplified in the third novel, The
Remains of the Day (1989), which is perfectly legible through both
English and Japanese cultural paradigms. Building on this
subversion of stereotypes, Ishiguro's early work investigates the
complex relationship between social conditioning and agency,
showing how characters' behavior is related to their cultural
heritage but cannot be reduced to it. This approach lies at the
core of the author's compelling portrayal of human experience in
more recent works, such as Never Let Me Go (2005) and The Buried
Giant (2015), which earned Ishiguro a global audience and a Nobel
Prize. Deprived of the easy explanations of one-world thinking,
readers of Ishiguro's two-world literature are forced to appreciate
the complexity of the interrelation of individual and collective
identity, personal and historical memory, and influence and agency
to gain a more nuanced, "two-world appreciation" of human
experience.
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