The first anthology of critical interpretations of major Canadian
short stories. Beginning in the 1890s, reaching its first full
realization by modernist writers in the 1920s, and brought to its
heyday during the Canadian Renaissance starting in the 1960s, the
short story has become Canada's flagship genre. Itcontinues to
attract the country's most accomplished and innovative writers
today, among them Margaret Atwood, Mavis Gallant, Alice Munro,
Clark Blaise, and many others. Yet in contrast to the stature and
popularity of the genreand the writers who partake in it,
surprisingly little literary criticism has been devoted to the
Canadian short story. This book redresses that imbalance by
providing the first collection of critical interpretations of
thirty well-known and often-anthologized Canadian short stories
from the genre's beginnings through the twentieth century. A
historical survey of the genre introduces the volume and a timeline
comparing the genre's development in Canada, the US, and Great
Britain completes it. Geared both to specialists in and students of
Canadian literature, the volume is of particular benefit to the
latter because it provides not only a collection of
interpretations, but a comprehensive introduction to the history of
the Canadian short story. Contributors: Reingard M. Nischik,
Martina Seifert, Heinz Antor, Julia Breitbach, Konrad Gross, Paul
Goetsch, Dieter Meindl, Nina Kuck, Stefan Ferguson, Rudolf Bader,
Fabienne C. Quennet, Martin Kuester, Jutta Zimmermann, Sylvia
Mergenthal, Caroline Rosenthal, Wolfgang Klooss, Lothar
Hoennighausen, Heinz Ickstadt, Heinz Ickstadt, Gordon Boelling,
Christina Strobel, Waldemar Zacharasiewicz, Nadja Gernalzick, Eva
Gruber, Brigitte Glaser, Georgiana Banita. Reingard M. Nischik is
Professor of American Literature at the University of Konstanz,
Germany.
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