This study traces the poetic development of Arthur Hugh Clough
through a methodological approach based on close readings of his
most important works with separate chapters devoted to the three
great poems of his maturity: The Bothie of Toper-na-Fuosich, Amours
de Voyage and Dipsychus. Attention is also given to the
socio-cultural context and the religious and political debates
which contributed in shaping Clough's artistic and ideological
vision, particularly through the influential figures of Thomas
Arnold, John Henry Newman and Ralph Waldo Emerson. That Clough
remains to this day one of the most neglected nineteenth-century
writers is all the more remarkable given the importance of his
intellectual contribution to his times and his radical questioning
of religious faith, traditional values and poetic norms.
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