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Books > Arts & Architecture > Performing arts > Films, cinema > Film theory & criticism
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Projecting Illusion - Film Spectatorship and the Impression of Reality (Paperback, Revised)
Loot Price: R1,182
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Projecting Illusion - Film Spectatorship and the Impression of Reality (Paperback, Revised)
Series: Cambridge Studies in Film
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Projecting Illusion offers a systematic analysis of the impression
of reality in the cinema and the pleasure it provides the film
spectator. Film affords an especially compelling aesthetic
experience that can be considered as a form of illusion akin to the
experience of daydream and dream. Examining the concept of illusion
and its relationship to fantasy in the experience of visual
representation, Richard Allen situates his explanation within the
context of an analytical criticism of contemporary film theory.
Contrary to many critics, he argues that many contemporary film
theorists correctly identify the significance of the impression of
reality, although their explanation of it is incorrect because of
an invalid philosophical understanding of the relationship between
the mind, representation, and reality. Offering a clear
presentation and critique of central arguments of contemporary film
and critical theory, Projecting Illusion also touches on
fundamental issues in the current discourses of philosophy, art
history, and feminist theory.
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