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The Films of Robert Wise (Paperback)
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The Films of Robert Wise (Paperback)
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From his early days as a film editor at RKO studios, where he
helped Orson Welles shape Citizen Kane, to his success as a
director and producer of musical blockbusters of the 1960s, Robert
Wise had a long and illustrious film career. Unlike contemporaries
such as Alfred Hitchcock, John Ford or Howard Hawks, however,
Wise's films lack any clearly discernible characteristics to
signify his work. There are few striking camera angles or visual
flourishes that might distract from the primary obligation to
present the story. And like Hawks, Wise never specialized in one or
two genres, but brought his directing skills to all manner of
films. His work as a director resists auteur categorization, and
that is a chief reason why some critics have been unduly negative
in their consideration of his work. In The Films of Robert Wise,
Richard Keenan examines the nearly forty features that represent
the director's career-from Curse of the Cat People in 1944 to A
Storm in Summer (2001), the only television production Wise ever
directed. Keenan offers a reappraisal of Wise's films so that the
true quality of his work can be better appreciated. Keenan argues
that if there was a flaw in Robert Wise as a director, it was that
he lacked the ego and temperament of the artist, which was not
necessarily a flaw at all. Indeed, Wise was a conscientious
craftsman who saw his work not primarily as a vehicle for his own
ideas and visual style, but as an opportunity to present narrative
that-quite simply-engages, informs, and entertains. It was this
perspective that helped produce a number of memorable films over
the years, including the gritty noir Born to Kill, the one-two
punch of The Set-Up and Somebody Up There Likes Me, the sci-fi
prophecy The Day the Earth Stood Still, and the gripping indictment
of capital punishment, I Want to Live!-classics all. Wise also won
a pair of Oscars for two of the most memorable-not to mention
successful-musicals of all time: West Side Story and The Sound of
Music. Drawing on more than 30 hours of interviews with Wise-as
well as additional interviews with a number of his
collaborators-Keenan offers a welcome reassessment of the
director's work. In his analysis of each film, Keenan reveals both
Wise the craftsman and the artist. In doing so, The Films of Robert
Wise finally confers upon this underappreciated director the
recognition he deserves.
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