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Johann Leisentrit's Geistliche Lieder und Psalmen, 1567 - Hymnody of the Counter-Reformation in Germany (Hardcover)
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Johann Leisentrit's Geistliche Lieder und Psalmen, 1567 - Hymnody of the Counter-Reformation in Germany (Hardcover)
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Geistliche Lieder und Psalmen, 1567, was compiled and published by
Johann Leisentrit, a Roman Catholic priest who from 1559 to the
time of his death in 1586, was Dean at the Cathedral of St. Peter's
in Bautzen, a town in southeastern Germany. His hymnbook appeared
in three complete editions (1567, 1573, 1584), and in abridged
editions in 1575, 1576, and 1589. By adapting the vernacular hymn,
a genre created by Protestant reformers, Leisentrit hoped to bring
back to the "true church" (wahrglaubiger Christlicher Kirchen)
those who had defected to Lutheranism. This was a formidable
ambition because his diocese was located adjacent to the
Moravian-Bohemian regions where the Protestant movement was born
and remained vital. Containing approximately 260 texts set to 175
notated melodies, many borrowed from Protestant sources and adapted
to serve Roman Catholic objectives, Leisentrit's book was the
second Catholic hymnbook to be published in the sixteenth century.
It surpassed its Protestant and Catholic precursors in scope and
provided a model for the profusion of hymnbooks of numerous
confessions that appeared in Germany in the seventeenth and
eighteenth centuries . Wetzel and Heitmeyer present their study in
two parts: The first comprises six contextual chapters that survey
earlier German achievements in hymnody, provide analyses of the
texts and music in Leisentrit's book, and assess his achievement
within the volatile environment of the Counter Reformation. The
second gives the melodies in modern notation along with the first
stanzas of the texts; provides detailed concordances and references
to sources that identify textual and musical provenances; and
concludes with six appendixes to facilitate scholarly
cross-references. Fourteen of the seventy wood engravings from
Leisentrit's book, many of which are visual representations of the
prevailing confessional conflicts, are given in enlarged
reproductions. The authors provide the only comprehensive study in
English of a unique religious figure and his efforts to achieve
confessional reconciliation in the decades following the Council of
Trent. They add to a more accurate interpretation of the
relationship between Lutherans and Catholics in the sixteenth
century and support the hypothesis that some Lutherans remained
more liturgically formal than their Catholic contemporaries.
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