This introduction to the study of the Russian novel demonstrates
how the form evolved from imitative beginnings to the point in the
1860s when it reached maturity and established itself as part of
the European tradition. Professor Freeborn considers selected
novels by Pushkin, Lermontov, Gogol, Dostoyevsky and Tolstoy.
Extended introductory sections to the studies of Dostoyevsk and
Tolstoy deal with their earlier works. A final chapter summarises
the principal points of contrast between Crime and Punishment and
War and Peace, and argues that in certain specific ways, they
represent the peaks in the evolution of the form of the Russian
novel. Quotations are translated, but key passages are also given
in the original. Professor Freeborn treats the novel as a literary
form and avoids the overworked formulae on which much historical
writing on Russian literature has been based. He is concerned with
the literary development of a great form.
General
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