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Politics in the African-American Novel - James Weldon Johnson, W.E.B. Du Bois, Richard Wright, and Ralph Ellison (Hardcover)
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Politics in the African-American Novel - James Weldon Johnson, W.E.B. Du Bois, Richard Wright, and Ralph Ellison (Hardcover)
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One of America's most distinguished independent
artists/intellectuals, Richard Kostelanetz, has written a prescient
volume that uses, as a starting point, the philosopher Robin
Collingwood's notion that "the historian and the novelist have much
in common, for both attempt to define the largest lines of
historical development." Aside from the introduction and
conclusion, which were specifically written for this publication,
these insightful chapters on four outstanding African-American
novelists were composed and appeared in journals in the late 1960s.
Kostelanetz saw the writing on the wall and told readers about it
more than twenty years ago. In his analysis of the novels written
by pioneering Black novelists James Weldon Johnson (1871-1938), W.
E. B. Du Bois (1868-1963), Richard Wright (1908-1960), and Ralph
Ellison (1914-), Kostelanetz culls their political meanings and
interprets experience suggestive of political meanings. Kostelanetz
places these meanings into a chronological framework that
transforms the book from a political or literary history into a
history of ideas in literature. This painstaking analysis of
fiction--to deduce themes that are then interpreted as intellectual
history--is an original scholarly approach to these novels. After
presenting a typology of political alternatives for
African-America, Kostelanetz looks at the work of
writer/diplomat/editor James Weldon Johnson, whose groundbreaking
novel, Autobiography of an Ex-Colored Man, appeared in 1912.
Chapter three analyzes the novels of writer/editor/teacher W. E. B.
Du Bois, whose work promoted greater understanding of
African-Americans. Richard Wright, hailed as the most eloquent
spokesman forAfrican-Americans of his generation upon publication
of his powerful first novel, Native Son, is considered in the
following chapter. Chapter five is devoted to Ralph Ellison whose
first novel, The Invisible Man, won the National Book Award and
achieved prominence as a primary text on the experience of Blacks
in America. This close reading of fiction for political
implications closes with an appendix of two essays also written in
the 1960s about the figures and issues discussed in this study. The
novels treated here retain a kind of "eye-witness account from the
front" immediacy that, combined with Kostelanetz's enduring
insights, will make Politics in the African-American Novel an
important addition to courses in American history, African-American
politics, or African-American literature. Informed general readers
will also find much to ponder in this book.
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