This innovative study examines a range of canonical and
non-canonical materials to open a new narrative on the mutually
illuminating interchange between Romantic literature and
philological theory in the late-eighteenth and early nineteenth
centuries. Arguing that philology can no longer be treated as
something that did not happen to Romantic authors, this book
undertakes a substantial revision of our understanding of the
intellectual and political contexts that helped determine the
Romantic consciousness
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