0
Your cart

Your cart is empty

Books > Arts & Architecture > Performing arts > Films, cinema > Film theory & criticism

Buy Now

Blood Money - A History of the First Teen Slasher Film Cycle (Paperback, New) Loot Price: R1,504
Discovery Miles 15 040
Blood Money - A History of the First Teen Slasher Film Cycle (Paperback, New): Richard Nowell

Blood Money - A History of the First Teen Slasher Film Cycle (Paperback, New)

Richard Nowell

 (sign in to rate)
Loot Price R1,504 Discovery Miles 15 040 | Repayment Terms: R141 pm x 12*

Bookmark and Share

Expected to ship within 10 - 15 working days

Scholars have consistently applied psychoanalytic models to representations of gender in early teen slasher films such as "Black Christmas (1974)," "Halloween (1978)" and "Friday the 13th (1980)" in order to claim that these were formulaic, excessively violent exploitation films, fashioned to satisfy the misogynist fantasies of teenage boys and grind house patrons. However, by examining the commercial logic, strategies and objectives of the American and Canadian independents that produced the films and the companies that distributed them in the US, "Blood Money" demonstrates that filmmakers and marketers actually went to extraordinary lengths to make early teen slashers attractive to female youth, to minimize displays of violence, gore and suffering and to invite comparisons to a wide range of post-classical Hollywood's biggest hits - including "Love Story (1970)," "The Exorcist (1973)," "Saturday Night Fever (1977)," "Grease," and "Animal House (both 1978)." "Blood Money" is a remarkable piece of scholarship that highlights the many forces that helped establish the teen slasher as a key component of the North American film industry's repertoire of youth-market product.

General

Imprint: Continuum Publishing Corporation
Country of origin: United States
Release date: December 2010
First published: December 2010
Authors: Richard Nowell
Dimensions: 225 x 154 x 20mm (L x W x T)
Format: Paperback
Pages: 304
Edition: New
ISBN-13: 978-1-4411-2496-8
Languages: English
Subtitles: English
Categories: Books > Arts & Architecture > Performing arts > Films, cinema > Film theory & criticism
Promotions
LSN: 1-4411-2496-9
Barcode: 9781441124968

Is the information for this product incomplete, wrong or inappropriate? Let us know about it.

Does this product have an incorrect or missing image? Send us a new image.

Is this product missing categories? Add more categories.

Review This Product

No reviews yet - be the first to create one!

You might also like..

Cinema Speculation
Quentin Tarantino Paperback R525 R441 Discovery Miles 4 410
Feel Free - Essays
Zadie Smith Paperback  (1)
R335 R280 Discovery Miles 2 800
Richard Green In South African Film…
Keyan A. Tomaselli, Richard Green Paperback R395 R334 Discovery Miles 3 340
Robert Altman and the Elaboration of…
Mark Minett Hardcover R3,173 Discovery Miles 31 730
Now Go, 13 - On Grief and Studio Ghibli
Karl Thomas Smith Paperback R220 R182 Discovery Miles 1 820
The Cinema of Francesco Rosi
Gaetana Marrone Hardcover R3,177 Discovery Miles 31 770
Mike Nichols - Sex, Language, and the…
Kyle Stevens Hardcover R3,693 Discovery Miles 36 930
Real Sex Films - The New Intimacy and…
John Tulloch, Belinda Middleweek Hardcover R3,402 Discovery Miles 34 020
Rock Star/Movie Star - Power and…
Landon Palmer Hardcover R2,504 Discovery Miles 25 040
Necessary Noise - Music, Film, and…
Cherie Rivers Ndaliko Hardcover R3,894 Discovery Miles 38 940
The Oxford Handbook of Japanese Cinema
Daisuke Miyao Hardcover R4,866 Discovery Miles 48 660
We'll Meet Again - Musical Design in the…
Kate McQuiston Hardcover R3,976 Discovery Miles 39 760

See more

Partners