Gilles Deleuze represents the most widely referenced theorist of
cinema today. And yet, even the most rudimentary pillars of his
thought remain mysterious to most students (and even many scholars)
of film studies. From one of the foremost theorists following
Deleuze in the world today, Deleuze and Lola Montes offers a
detailed explication of Gilles Deleuze's writings on film - from
his books Cinema 1: The Movement-Image (1983) and Cinema 2: The
Time-Image (1985). Building on this foundation, Rushton provides an
interpretation of Max Ophuls's classic film Lola Montes as an
example of how Deleuzian film theory can function in the practice
of film interpretation.
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