Richard McCormick examines the concepts of postmodernity and
postmodernism as they apply to West Germany, discussing them
against the background of cultural and political upheaval in that
country since the 1960s, rather than exclusively in the more
familiar setting of intellectual history. Considering six literary
and cinematic texts that are marked by a preoccupation with the
self and subjectivity, he underscores the crucial influence of
feminism on writers and filmmakers--and on the "postmodern." In a
broad international context he describes the conflicting forces
that affected the West German student movementthe rationalistic
tradition of the Weimar Left and more "irrational" influences such
as French existentialism and surrealism (as well as the American
"Beat" movement and rock & roll)--and shows how these forces
played themselves out so that dogmatic Marxist Leninism was
repudiated in favor of a "New Subjectivity.."
At the center of the discussion are the novels "Lenz" by Peter
Schneider, "Class Love (Klassenliebe)" by Karin Struck, and
"Devotion" by Botho Strauss, and the films "Wrong Move" written by
Peter Handke and directed by Wim Wenders, Germany, "Pale Mother" by
Helma Sanders-Brahms, and "The Subjective Factor" by Helke Sander.
The author shows how ongoing attempts to attack the separation of
emotion from reason, life from art, the private from the public,
and the personal from the political brought about changes in
outlook, from the 1960s to the early 1980s, that are related to the
rise of new political movements--ecology, nuclear disarmament, and
feminism.
Originally published in 1991.
The Princeton Legacy Library uses the latest print-on-demand
technology to again make available previously out-of-print books
from the distinguished backlist of Princeton University Press.
These paperback editions preserve the original texts of these
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increase access to the rich scholarly heritage found in the
thousands of books published by Princeton University Press since
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