The 1990s have seen a renaissance in short fiction studies.
Today's short story writers are testing the boundaries of short
fiction through minimalist works; extended short story cycles;
narrative nonfiction forms, such as histories, memoirs, and essays;
and even stories created interactively with readers on the
computer. Short story critics, in turn, are viewing the short story
from the perspective of genre, history, cultural studies, and even
cognitive science. This volume brings together the opinions,
theories, and research of many of today's best-known short story
writers, theorists, and critics. Contributors include some of the
most widely read contemporary authors, such as Joyce Carol Oates,
John Barth, Gay Talese, W. P. Kinsella, Robert Coover, Barry
Hannah, and Leslie Marmon Silko.
The authors and scholars who have contributed to the volume
provide an entertaining and informative exploration of modern short
fiction. The volume traces the origins of the short story back to
Chaucer, the joke, and the instinct for play, and follows the
development of the form through today's hyper-stories created
interactively in cyberspace. Along the way, it presents essays on
miminalism in short fiction, on the transformation of short stories
into films, and even on AIDS and the short story. The broad scope
of the volume includes a wide variety of critical approaches
brought to bear on literature from around the world, including
short stories from Africa, Australia, Great Britain, Canada, New
Zealand, and the United States.
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