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Essential Scots and the Idea of Unionism in Anglo-Scottish Literature, 1603-1832 (Paperback)
Loot Price: R1,275
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Essential Scots and the Idea of Unionism in Anglo-Scottish Literature, 1603-1832 (Paperback)
Series: Transits: Literature, Thought & Culture, 1650-1850
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John Locke asked, "since all things that exist are merely
particulars, how come we by general terms?" Essential Scots and the
Idea of Unionism in Anglo-Scottish Literature, 1603-1832 tells a
story about aesthetics and politics that looks back to the 1603
Union of Crowns and James VI/I's emigration from Edinburgh to
London. Considering the emergence of British unionism alongside the
literary rise of both description and "the individual," Rivka
Swenson builds on extant scholarship with original close readings
that illuminate the inheritances of 1603, a date of considerable
but untraced importance in Anglo-Scottish literary and cultural
history whose legacies are still being negotiated today. The 1603
Union of Crowns spurred interest in exploring the aesthetic
politics of unionism in relation to an alleged Scottish essence
that could be manipulated to resist or support "Britishness," even
as the king's emigration generated a legacy of gendered
representations of traveling Scots and "Scotlands-left-behind."
Discussing writers such as Bacon, Defoe, Smollett, Johnson,
Macpherson, Ferrier, and Scott along with lesser-known or forgotten
popular authors (and ballads, transparencies, newspapers, joke
books, cant dictionaries, political speeches, histories, travel
narratives, engravings, material artifacts such as medals and
snuffboxes), Essential Scots describes the years 1603 to 1832 as a
crucial period in British history. Paradoxically, the political and
cultural exploration of ideas about "unionism" in relation to a
supposed "essential Scottishness" participated in the increasing
prominence of both description and the "individual" in
nineteenth-century Scottish literature; Swenson persuasively
concludes that essential Scottishness (as both "identity" and
symbolism) was refigured to mediate a national synthesis between
the emergent individual and the nascent British nation-as well as
the naturalized, even de-politicized, literary synthesis of
particulars within putatively analogous narrative wholes.
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