Robert A. Ferguson investigates the nature of loneliness in
American fiction, from its mythological beginnings in Rip Van
Winkle to the postmodern terrors of 9/11. At issue is the dark side
of a trumpeted American individualism. The theme is a vital one
because a greater percentage of people live alone today than at any
other time in U.S. history.
The many isolated characters in American fiction, Ferguson says,
appeal to us through inward claims of identity when pitted against
the social priorities of a consensual culture. They indicate how we
might talk to ourselves when the same pressures come our way. In
fiction, more visibly than in life, defining moments turn on the
clarity of an inner conversation.
"Alone in America" tests the inner conversations that work and
sometimes fail. It examines the typical elements and moments that
force us toward a solitary state failure, betrayal, change, defeat,
breakdown, fear, difference, age, and loss in their ascending power
over us. It underlines the evolving answers that famous figures in
literature have given in response. Figures like Mark Twain s Huck
Finn and Toni Morrison s Sethe and Paul D., or Louisa May Alcott s
Jo March and Marilynne Robinson s John Ames, carve out their own
possibilities against ruthless situations that hold them in place.
Instead of trusting to often superficial social remedies, or taking
thin sustenance from the philosophy of self-reliance, Ferguson says
we can learn from our fiction how to live alone."
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