From the dusty workshops of village potters to the pristine
assembly lines of modern factories; from the makers of pottery to
the producers of porcelain in selected areas of Mexico and Denmark,
the authors observed, interviewed, and photographed ceramic artists
at their work. The result is a story of persistence, inspiration,
collaboration and intrigue, success and failure, along with
individual eccentricities in the process of making ceramic art for
an international market. The story is not only that of the potter's
wheel, but of the wheel of time over which the lowly village potter
evolves as professional artist who eventually, in some instances,
rejects making corporate porcelain in favor of returning to clay
and kiln. The Mexican communities are near Guadalajara. The Danish
settings include the towns of Naestved, Sorring, the island of
Bornholm and, in Copenhagen, the porcelain giants Royal Copenhagen
and Bing and Grondahl contrasting large scale corporations with
small pottery factories. Researched in the 1970s, the abandoned
manuscript, recently rediscovered, appears here as written then
with current material added to inform and update the historical
ethnography, providing a rare opportunity to follow up on people
and predictions, after thirty years, to identify change, decay and
fulfillment.
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