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After the Beautiful (Hardcover)
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After the Beautiful (Hardcover)
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In his Berlin lectures on fine art, Hegel argued that art involves
a unique form of aesthetic intelligibility - the expression of a
distinct collective self-understanding that develops through
historical time. Hegel's approach to art has been influential in a
number of different contexts, but in a twist of historical irony
Hegel would die just before the most radical artistic revolution in
history: modernism. In After the Beautiful, Robert B. Pippin,
looking at modernist paintings by artists such as Edouard Manet and
Paul Cezanne through Hegel's lens, does what Hegel never had the
chance to do. While Hegel could never engage modernist painting, he
did have an understanding of modernity, and in it art was "a thing
of the past," no longer an important vehicle of self-understanding
and no longer an indispensable expression of human meaning. Pippin
offers a sophisticated exploration of Hegel's position and shows
that, had Hegel known how the social institutions of his day would
ultimately fail to achieve his own version of genuine equality-a
mutuality of recognition - he would have had to explore a different
role for art in modernity. After laying this groundwork, Pippin
goes on to illuminate the dimensions of Hegel's aesthetic approach
via the works of Manet, drawing on art historians T. J. Clark and
Michael Fried, and concludes with a look at Cezanne to explore the
relationship between Hegel and the philosopher who would challenge
Hegel's account of both modernity and art - Martin Heidegger.
Elegantly interweaving philosophy and art history, After the
Beautiful is a stunning reassessment of the modernist project and
what it means in general for art to have a history. It is a
testament, via Hegel, to the distinctive philosophical achievements
of modernist art in the unsettled, tumultuous era we have
inherited.
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