In his carnivalesque and riotously inventive Pricksongs &
Descants Robert Coover remakes old stories: of Red Riding Hood,
Hansel and Gretel, and Beauty (who married her Beast and spends a
lifetime suffering his doggy stink). And he reshapes his own: a man
makes repeating, re-imagined journeys in an office elevator (while
his fellow riders taunt and tempt him), and in the seminal, fractal
'The Babysitter' every moment in a single night is played and
replayed, every hope and threat of sex and violence done and
undone. Coover's dark, wilfil, comic imagination revels brilliantly
in contradictions, a master of chaos.
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