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Books > Arts & Architecture > History of art / art & design styles > From 1900 > Art styles, 1960 -
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Bioart and the Vitality of Media (Hardcover, New)
Loot Price: R2,355
Discovery Miles 23 550
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Bioart and the Vitality of Media (Hardcover, New)
Series: In Vivo: The Cultural Mediations of Biomedical Science
Expected to ship within 12 - 17 working days
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Bioart -- art that uses either living materials (such as bacteria
or transgenic organisms) or more traditional materials to comment
on, or even transform, biotechnological practice -- now receives
enormous media attention. Yet despite this attention, bioart is
frequently misunderstood. Bioart and the Vitality of Media is the
first comprehensive theoretical account of the art form, situating
it in the contexts of art history, laboratory practice, and media
theory.--Mitchell begins by sketching a brief history of bioart in
the twentieth and twenty-first centuries, describing the artistic,
scientific, and social preconditions that made it conceptually and
technologically possible. He illustrates how bioartists employ
technologies and practices from the medical and life sciences in an
effort to transform relationships among science, medicine,
corporate interests, and the public. By illustrating the ways in
which bioart links a biological understanding of media -- that is,
"media" understood as the elements of an environment that
facilitate the growth and development of living entities -- with
communicational media, Bioart and the Vitality of Media
demonstrates how art and biotechnology together change our
conceptions and practices of mediation. Reading bioart through a
range of resources, from Immanuel Kant's discussion of disgust to
Gilles Deleuze's theory of affect to Gilbert Simondon's concept of
"individuation," provides readers with a new theoretical approach
for understanding bioart and its relationships to both new media
and scientific institutions.--Robert E. Mitchell is associate
professor of English at Duke University. He is the author, with
Catherine Waldby, of Tissue Economies: Blood, Organs, and Cell
Lines in Late Capitalism and, with Phillip Thurtle, Data Made
Flesh: Embodying Information and Semiotic Flesh: Information and
the Human Body.--"A sustained meditation on bioart as an art
practice that stitches together concepts of life and concepts of
affect, concepts of vitalism and concepts of mediation." -Eugene
Thacker, author of After Life and Biomedia--"Well-written, lucid,
unpretentious, and admirably concise in format and presentation,
this book is an original and innovative contribution to the fields
of comparative media studies and science and culture studies."-Cary
Wolfe, author of Animal Rites and What Is Posthumanism?-
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