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Derek Jarman's Medieval Modern (Hardcover)
Loot Price: R1,017
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Derek Jarman's Medieval Modern (Hardcover)
Series: Medievalism
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First exploration of Jarman's engagement with the medieval,
revealing its importance to his work. FINALIST IN THE HISTORIANS OF
BRITISH ART BOOK AWARDS 2020 The artist and filmmaker Derek Jarman
(1942-1994) had a lifelong appreciation of medieval culture. But
with the possible exception of Edward II, Jarman's films have not
been identified to date as making a major contribution to the
depiction of the Middle Ages in cinema. This book is the first to
uncover a rich seam of medievalism in Jarman's art. Taking in major
features such as Caravaggio, The Garden and The Last of England, as
well as some of the unrealised screenplays and short experimental
films, the book proposes an expanded definition of medieval film
that includes not just worksset in or about the Middle Ages, but
also projects inspired more broadly by the period. It considers
Jarman's engagement with Anglo-Saxon poetry (notably The Wanderer);
with works by fourteenth-century poets such as Chaucer, Dante and
Langland; with saints and mystics from Joan of Arc to Julian of
Norwich; and with numerous paintings, buildings and objects from
this so-called "middle" time. Organised around several key themes -
periodisation,anachronism, ruins and wandering - the book also asks
what happens when (with Jarman, but also more broadly) we think the
categories "medieval" and "modern" together. As such, it will be of
interest to film scholars, art historians and medievalists of all
stripes who wish to rattle the temporal cages of their fields.
ROBERT MILLS is Professor of Medieval Studies at University College
London.
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