Mid-Lands - A Family Album (Paperback)

Davis sees now that as he grew up in white, postwar mid-America, he seldom pondered the limitations that its "either/or" perspective on life imposed. Sometimes, however, intimations about the world's complexity were too strong for him to ignore. The presence of an occasional black teammate in baseball jarred him into the realization that he knew nothing about some segments of Boonville society. His high school principal's lenient response to a teacher's demand for Davis's expulsion bared a weakness in the united front of adult authority over children. The boldness of the first girl in his class to wear makeup repelled and attracted him--and confused him about sex even more than did his Catholic education.

Many of Davis's recollections involve his family and read like captions to snapshots in a family album. However different they were from each other, the two family branches were unified by their mutual regard for uniqueness of character (Davis says his mother felt that one's real duty was not to be right but to be interesting). Anything said or done by a family member had story potential, and Davis learned at an early age that transgressions were judged less harshly if their retelling enhanced an already varied and idiosyncratic family saga.

Amid droll profiles of relatives like his guntoting, nearsighted grandfather, Davis also passes along such gems of practical information as the best way to kill a chicken and how to judge character by the car a person drives. Combining memoir with social history and inspired storytelling, "Mid-Lands" is a reflective and entertaining evocation of regional American life.

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