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Dislocating Race and Nation - Episodes in Nineteenth-Century American Literary Nationalism (Paperback, New edition)
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Dislocating Race and Nation - Episodes in Nineteenth-Century American Literary Nationalism (Paperback, New edition)
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This title presents literary responses to questions of U.S. racial
nationalism and imperialism.American literary nationalism is
traditionally understood as a cohesive literary tradition developed
in the newly independent United States that emphasized the unique
features of America and consciously differentiated American
literature from British literature. Robert Levine challenges this
assessment by exploring the conflicted, multi-racial, and
contingent dimensions present in the works of late eighteenth- and
nineteenth-century American and African American writers. Conflict
and uncertainty, not consensus, Levine argues, helped define
American literary nationalism during this period.Levine emphasizes
the centrality of both inter- and intra-American conflict in his
analysis of four illuminating ""episodes"" of literary responses to
questions of U.S. racial nationalism and imperialism. He examines
Charles Brockden Brown and the Louisiana Purchase; David Walker and
the debates on the Missouri Compromise; Nathaniel Hawthorne, Herman
Melville, and Hannah Crafts and the blood-based literary
nationalism and expansionism of the mid-nineteenth century; and,
Frederick Douglass and his interest in Haiti. Levine offers
critiques of recent developments in whiteness and imperialism
studies, arguing that a renewed attention to the place of
contingency in American literary history helps us to better
understand and learn from writers trying to make sense of their own
historical moments.
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