This collection of modern essays by leading figures in the field of
Shakespeare scholarship reveals the rich interplay between
contemporary theoretical approaches - psychoanalytic, new
historicist, feminist and cultural materialist - and the study of
the play in performance, both in Shakespeare's time and our own.
Examining the representation of power, ideology, class, race and
gender in a wide range of playtexts and theatrical contexts, the
essays explore Shakespeare's performance possibilities in theory
and in practice.
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