0
Your cart

Your cart is empty

Books > Social sciences > Sociology, social studies > Ethnic studies

Buy Now

Tropical Multiculturalism - A Comparative History of Race in Brazilian Cinema and Culture (Paperback, New) Loot Price: R698
Discovery Miles 6 980
You Save: R91 (12%)
Tropical Multiculturalism - A Comparative History of Race in Brazilian Cinema and Culture (Paperback, New): Robert Stam

Tropical Multiculturalism - A Comparative History of Race in Brazilian Cinema and Culture (Paperback, New)

Robert Stam

Series: Latin America Otherwise

 (sign in to rate)
List price R789 Loot Price R698 Discovery Miles 6 980 | Repayment Terms: R65 pm x 12* You Save R91 (12%)

Bookmark and Share

Expected to ship within 12 - 17 working days

Donate to Against Period Poverty

Tropical Multiculturalism provides a major study of race in Brazilian culture through the most complete critical analysis of Brazilian cinema in any language. Focusing on representations of multicultural themes involving Euro- and Afro-Brazilians, other immigrants, and indigenous peoples in the rich tradition of Brazilian fictional feature film, Robert Stam puts Brazilian culture at the center of a wide-ranging analysis of race, representation, history, and film. Drawing parallels between the histories of colonialism, slavery, and immigration in Brazil and the United States, he also contends that questions of ethnic and racial representations are best viewed within the larger context of a comparative analysis of racially plural societies. Stam examines the broad historical and cultural links that connect Brazil and the United States before considering multicultural imagery in Brazilian film as it has changed from the silent era to the present. His analysis moves through the comic chanchadas of the 1930s and 1940s, to the Hollywood-style films from Sao Paulo in the 1950s, and the diverse phases of Cinema Novo beginning in the 1960s. He explores a wealth of subjects, including the submerged "blackness" of Carmen Miranda, the anti-racist agenda of Orson Welles's never-released Brazilian film It's All True, the international background behind Black Orpheus, the career of Grande Otelo (Brazil's greatest black film star), the allegorical "cannibalistic" films like How Tasty Was My Frenchman, and "indigenous media"-the attempt by Brazilian "indians" to use camcorders and VCRs for their own cultural and political purposes. Tropical Multiculturalism is simultaneously a history of Brazilian cinema from the standpoint of race, a history of Brazil itself through its cinematic representations, a comparative study of racial formations in Brazil and the United States, and a theorized analysis of racialized representations.

General

Imprint: Duke University Press
Country of origin: United States
Series: Latin America Otherwise
Release date: December 1997
First published: December 1997
Authors: Robert Stam
Dimensions: 233 x 158 x 31mm (L x W x T)
Format: Paperback - Trade
Pages: 432
Edition: New
ISBN-13: 978-0-8223-2048-7
Categories: Books > Arts & Architecture > Performing arts > Films, cinema > Film theory & criticism
Books > Reference & Interdisciplinary > Interdisciplinary studies > Cultural studies > General
Books > Social sciences > Sociology, social studies > Ethnic studies > General
LSN: 0-8223-2048-7
Barcode: 9780822320487

Is the information for this product incomplete, wrong or inappropriate? Let us know about it.

Does this product have an incorrect or missing image? Send us a new image.

Is this product missing categories? Add more categories.

Review This Product

No reviews yet - be the first to create one!

Partners