Few who appreciate the visual arts or the American Southwest can
behold the masterpieces "Sangre de Cristo Mountains "or "Haystack,
Taos Valley, 1927 "or "Bend in the River, 1941 "and come away
without a vivid image burned into memory. The creator of these and
many other depictions of the Southwest and its people was Ernest L.
Blumenschein, cofounder of the famous Taos art colony. This
insightful, comprehensive biography examines the character and life
experiences that made Blumenschein one of the foremost artists of
the twentieth century.
Robert W. Larson and Carole B. Larson begin their life of
"Blumy" with his Ohio childhood and trace his development as an
artist from early study in Cincinnati, New York City, and Paris
through his first career as a book and magazine illustrator.
Blumenschein and artist Bert G. Phillips discovered the budding art
community of Taos, New Mexico, in 1898. In 1915 the two along with
Joseph Henry Sharp, E. Irving Couse, and other like-minded artists
organized the Taos Society of Artists, famous for preferring
American subjects over European themes popular at the time.
Leaving illustration work behind, Blumenschein sought a
distinctive place in his American homeland and in fine-art
painting. He moved with his family to Taos in 1919 and began his
long career as a figurative and landscape painter, becoming
prominent among American artists for his Pueblo Indian figures and
stunning southwestern landscapes.
Robert Larson calls Blumenschein a "transformational artist,"
trained classically but drawing to a limited degree on abstract
representation. Placing Blumy's life in the context of World War I,
the Great Depression, and other national and world events, the
authors show how an artistic genius turned a fascination with the
people, light, and color of New Mexico into a body of work of
lasting significance to the international art world.
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