Robin Davies here demonstrates that Nabokov's 'Pale Fire' has a
classical unity and represents a direct attack on T.S. Eliot's
philosophical position, particularly as given in The Waste Land and
as represented by Eliot's later tendency for conservatism in
literature, politics and religion. After Nabokov was forced into
exile from Germany and then France in the 1930s with his young son
and Jewish wife, Eliot's passivism must have seemed to him the very
antithesis of survival. The enigmatic Pale Fire and its surface
triviality suggested that there could be self-consistent logic
within the obvious commentary of Charles Kinbote and John Shade's
poem. Davies places this work in its vast European context, forming
a bridge between Russian and European literature which will be
appreciated by scholars of both.
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