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Venus Noire - Black Women and Colonial Fantasies in Nineteenth-Century France (Paperback)
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Venus Noire - Black Women and Colonial Fantasies in Nineteenth-Century France (Paperback)
Series: Race in the Atlantic World, 1700-1900
Expected to ship within 10 - 15 working days
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Even though there were relatively few people of colour in
post-revolutionary France, images of and discussions about black
women in particular appeared repeatedly in a variety of French
cultural sectors and social milieus. In Venus Noire, Robin Mitchell
shows how these literary and visual depictions of black women
helped to shape the country's post-revolutionary national identity,
particularly in response to the trauma of the French defeat in the
Haitian Revolution. Venus Noire explores the ramifications of this
defeat by examining visual and literary representations of three
black women who achieved fame in the years that followed. Sarah
Baartmann, popularly known as the Hottentot Venus, represented
distorted memories of Haiti in the French imagination, and Mitchell
shows how her display, treatment, and representation embodied
residual anger harboured by the French. Ourika, a young Senegalese
girl brought to live in France by the Marechal Prince de Beauvau,
inspired plays, poems, and clothing and jewellery fads, and
Mitchell examines how the French appropriated black female identity
through these representations while at the same time perpetuating
stereotypes of the hypersexual black woman. Finally, Mitchell shows
how demonizations of Jeanne Duval, long-time lover of the poet
Charles Baudelaire, expressed France's need to rid itself of black
bodies even as images and discourses about these bodies
proliferated. The stories of these women, carefully contextualized
by Mitchell and put into dialogue with one another, reveal a blind
spot about race in French national identity that persists in the
postcolonial present.
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