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Venus Noire - Black Women and Colonial Fantasies in Nineteenth-Century France (Hardcover)
Loot Price: R3,095
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Venus Noire - Black Women and Colonial Fantasies in Nineteenth-Century France (Hardcover)
Series: Race in the Atlantic World, 1700-1900 Series
Expected to ship within 10 - 15 working days
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Even though there were relatively few people of color in
postrevolutionary France, images of and discussions about black
women in particular appeared repeatedly in a variety of French
cultural sectors and social milieus. In Vaenus Noire, Robin
Mitchell shows how these literary and visual depictions of black
women helped to shape the country's postrevolutionary national
identity, particularly in response to the trauma of the French
defeat in the Haitian Revolution. Vaenus Noire explores the
ramifications of this defeat in examining visual and literary
representations of three black women who achieved fame in the years
that followed. Sarah Baartmann, popularly known as the Hottentot
Venus, represented distorted memories of Haiti in the French
imagination, and Mitchell shows how her display, treatment, and
representation embodied residual anger harbored by the French.
Ourika, a young Senegalese girl brought to live in France by the
Maraechal Prince de Beauvau, inspired plays, poems, and clothing
and jewelry fads, and Mitchell examines how the French appropriated
black female identity through these representations while at the
same time perpetuating stereotypes of the hypersexual black woman.
Finally, Mitchell shows how demonization of Jeanne Duval, longtime
lover of the poet Charles Baudelaire, expressed France's need to
rid itself of black bodies even as images and discourses about
these bodies proliferated. The stories of these women, carefully
contextualized by Mitchell and put into dialogue with one another,
reveal a blind spot about race in French national identity that
persists in the postcolonial present.
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