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The Oxford History of Popular Print Culture - Volume Five: US Popular Print Culture to 1860 (Hardcover)
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The Oxford History of Popular Print Culture - Volume Five: US Popular Print Culture to 1860 (Hardcover)
Series: Oxford History of Popular Print Culture
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What did most people read? Where did they get it? Where did it come
from? What were its uses in its readers' lives? How was it produced
and distributed? What were its relations to the wider world of
print culture? How did it develop over time? These questions are
central to The Oxford History of Popular Print Culture, an
ambitious nine-volume series devoted to the exploration of popular
print culture in English from the beginning of the sixteenth
century to the present. Volume five traces print's role in the
lives of a wide variety of people who settled-or who were displaced
or forcibly transported by settlers-in middle North America, from
colonial beginnings through the mid-nineteenth-century
proliferation of industrially-produced imprints until 1860, when
the Civil War disrupted longstanding patterns. While the volume
takes account of emerging technological and economic developments
in production and distribution, it nevertheless through its focus
on readers emphasizes surprising continuities over the longue duree
of centuries. Forty-one contributors from across disciplines
consider either literary practices of diverse groups or specific
genres of popular print passing through people's hands, which
included advertisements, almanacs, captivity narratives, ephemera,
lithographs, magazines, newspapers, nonfiction, novels, pamphlets,
poetry, and slave narratives. In articulating imprint use and genre
among groups ranging from free and enslaved blacks to native
peoples to women of all races, contributors provide an unusually
well-rounded view of print's everyday meanings. Because people
often derived those meanings in relation to scribal production and
oral communication, the diaries and letters they penned and
transcriptions of words they spoke provide much of the book's
evidence. The volume ultimately reorients the study of popular
print culture in the early US from locally produced printed texts
aimed at national readerships to the practices of readers who
engaged the broad universe of imprints - not always
American-authored-available to them.
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