The work of the Berlin-based artist and filmmaker Rosa Barba is
distinguished by her conceptual exploration of film. In this
publication she devises a progressive vision for the cinema of the
future. Barba translates questions of composition and plasticity
into precisely staged arrangements that open up new ways of looking
at both the material and the conceptual conditions of the medium of
film. Starting with Barba's artistic research, this volume deals
with the concept of an anarchical organization of filmic spaces-a
work principle that could shape a new way of thinking by
destabilizing traditional cinematic structures. Through this, the
author undertakes a journey to an imaginary political trope for
today's cinema.
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