The genesis of the modern art movement in Bangladesh traces back
to the partition of India (1947) and the establishment of the Dhaka
Art Institute in 1948 by 'Shilpacharya' (guru of art) Zainul Abedin
and several of his contemporaries, who arrived in Dhaka from
Kolkata where they had trained.
This is the defining volume in the Bengal Foundation series of
monographs dedicated to the great master artists of Bangladesh.
Beautifully illustrated, with stunning fold outs, this book is the
only comprehensive survey of Zainul Abedin's work to date,
illustrating his special relationship with his country from various
artistic, social, and political perspectives.
For his devotion to art education and his visionary and artistic
achievements, Zainul Abedin has always been the undisputed
protagonist of the Bangladeshi modern art scene. In 1943, he
produced a series of renowned sketches depicting the Bengal Famine,
in which millions of people perished. Abedin's haunting images
brought him all-India fame. His indigenous brand of realism,
coupled with his social inquiry and protest proved vital in
different moments in Bangladesh's history, such as the Liberation
War in 1971. Abedin did more than just make art; he wanted art to
permeate all our lives. This exceptional retrospective monograph is
a fitting tribute to his lifelong mission and a unique insight into
Bangladeshi art and culture.
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