Samuel "Roxy" Rothafel (1882--1936) built an influential and
prolific career as film exhibitor, stage producer, radio
broadcaster, musical arranger, theater manager, war propagandist,
and international celebrity. He helped engineer the integration of
film, music, and live performance in silent film exhibition; scored
early Fox Movietone films such as Sunrise (1927); pioneered the
convergence of film, broadcasting, and music publishing and
recording in the 1920s; and helped movies and moviegoing become the
dominant form of mass entertainment between the world wars.
The first book devoted to Rothafel's multifaceted career,
"American Showman" examines his role as the key purveyor of a new
film exhibition aesthetic that appropriated legitimate theater,
opera, ballet, and classical music to attract multi-class
audiences. Roxy scored motion pictures, produced enormous stage
shows, managed many of New York's most important movie houses,
directed and/or edited propaganda films for the American war
effort, produced short and feature-length films, exhibited foreign,
documentary, independent, and avant-garde motion pictures, and
expanded the conception of mainstream, commercial cinema. He was
also one of the chief creators of the radio variety program,
pioneering radio broadcasting, promotions, and tours.
The producers and promoters of distinct themes and styles,
showmen like Roxy profoundly remade the moviegoing experience,
turning the deluxe motion picture theater into a venue for
exhibiting and producing live and recorded entertainment. Roxy's
interest in media convergence also reflects a larger moment in
which the entertainment industry began to create brands and
franchises, exploit them through content release "events," and give
rise to feature films, soundtracks, broadcasts, live performances,
and related consumer products. Regularly cited as one of the twelve
most important figures in the film and radio industries, Roxy was
instrumental to the development of film exhibition and commercial
broadcasting, musical accompaniment, and a new, convergent
entertainment industry.
General
Imprint: |
Columbia University Press
|
Country of origin: |
United States |
Series: |
Film and Culture Series |
Release date: |
May 2012 |
First published: |
May 2012 |
Authors: |
Ross Melnick
(Postdoctoral Fellow)
|
Dimensions: |
235 x 159 x 40mm (L x W x T) |
Format: |
Hardcover - Trade binding
|
Pages: |
576 |
Edition: |
New |
ISBN-13: |
978-0-231-15904-3 |
Categories: |
Books >
Language & Literature >
Literature: history & criticism >
Literary studies >
General
|
LSN: |
0-231-15904-8 |
Barcode: |
9780231159043 |
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