Books > Arts & Architecture > History of art / art & design styles > From 1900 > Art styles, 1960 - > Performance art
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Asian City Crossings - Pathways of Performance through Hong Kong and Singapore (Hardcover)
Loot Price: R4,377
Discovery Miles 43 770
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Asian City Crossings - Pathways of Performance through Hong Kong and Singapore (Hardcover)
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Asian City Crossings is the first volume to examine the
relationship between the city and performance from an Asian
perspective. This collection introduces "city as method" as a new
conceptual framework for the investigation of practices of
city-based performing arts collaboration and city-to-city
performance networks across East- and Southeast Asia and beyond.
The shared and yet divergent histories of the global cities of Hong
Kong and Singapore as postcolonial, multiethnic, multicultural, and
multilingual sites, are taken as points of departure to demonstrate
how "city as method" facilitates a comparative analytical space
that foregrounds in-betweenness and fluid positionalities. It
situates inter-Asian relationality and inter-city referencing as
centrally significant dynamics in the exploration of the material
and ideological conditions of contemporary performance and
performance exchange in Asia. This study captures creative dialogue
that travels city-based pathways along the Hong Kong-Singapore
route, as well as between Hong Kong and Singapore and other cities,
through scholarly analyses and practitioner reflections drawn from
the fields of theatre, performance, and music. This book combines
essays by scholars of Asian studies, theatre studies,
ethnomusicology, and human geography with reflective accounts by
Hong Kong and Singapore-based performing arts practitioners to
highlight the diversity, vibrancy, and complexity of creative
projects that destabilise notions of identity, belonging, and
nationhood through strategies of collaborative conviviality and
transnational mobility across multi-sited networks of cities in
Asia. In doing so, this volume fills a considerable gap in global
scholarly discourse on performance and the city and on the
production and circulation of the performing arts in Asia.
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