"Shakespeare: A Life in Art" brings together in a single volume
Fraser's previously published two-volume biography ("Young
Shakespeare," 1988, and" Shakespeare: The Later Years," 1992). This
volume includes a new introduction, which looks back on the
author's lifelong commitment to Shakespeare's work and seeks to
find the pattern in his carpet.
Fraser's approach places Shakespeare's work first but shows how
the life and art interpenetrate, like "the yolk and white of one
shell." What Shakespeare was doing in Stratford and London
underlies what he was writing, or more exactly, the two flow
together. Most of the book is devoted to Shakespeare the man and
artist, but it simultaneously throws light on his literary and
personal relations with contemporaries such as Jonson, Marlowe, and
others known as the University Wits. His experience as an actor and
man of theater is absorbingly recounted here, as well as his
relations to well-born patrons like the Earl of Southampton and
Henry Carey, Lord Hunsdon (England's Lord Chamberlain). In 1603
when James I ascended the throne, the Chamberlain's Men became the
King's Men, passing under the sovereign's protection. How
Shakespeare responded to his ambiguous role--he was both servant to
the great and their remorseless critic--is another of Fraser's
subjects. In short, Fraser's principal purpose is to advance our
understanding of Shakespeare, at the same time throwing light on
the work of the man who of all modern, and perhaps ancient poets
had the "largest and most comprehensive soul." John Dryden,
Shakespeare's first great critic, said that, and Fraser tries to
estimate what he meant.
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