First published in 1980. In this study of Shakespeare's ten early
comedies, from The Comedy of Errors to Twelfth Night, the concept
of a dynamic of comic form is developed; the Falstaff plays are
seen as a watershed, and the emergence of new comic protagonists -
the resourceful, anti-romantic romantic heroine and the Fool - as
the summit of the achievement. The plays are explored from three
complementary perspectives - theoretical, developmental and
interpretative which lead to a further understanding of the
powerful relation between the plays' formal complexity and their
naturalistic verisimilitude.
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