"Digital Practices" offers a description of a range of art and
performance practices that have emerged within the context of a
broad-based technological infiltration of all areas of human
experience. They are integral to alternative and also to mainstream
performance and culture, and demand perceptive strategies that can
address the interface between the physical and the virtual. In this
pioneering study, Susan Broadhurst explores the aesthetic
theorisation of these practices and extends her analysis to include
other approaches, including those offered by recent research into
neuroesthetics.
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