Rather than lamenting that postcolonial writers 'sell out' to
multinational corporate publishing, parading their exotic otherness
to metropolitan audiences, Sarah Brouillette assesses how they
respond to their own reception and niche positioning within a
global marketplace that has faced staunch political critique.
Combining analysis of recent postcolonial texts with detailed
accounts of authors' careers and the global trade in literature,
this book is an exciting contribution to globalization studies and
the emerging history of the postcolonial book.
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