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Helio Oiticica and Neville D'Almeida - Block-Experiments in Cosmococa-Program in Progress (Paperback)
Loot Price: R431
Discovery Miles 4 310
You Save: R101
(19%)
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Helio Oiticica and Neville D'Almeida - Block-Experiments in Cosmococa-Program in Progress (Paperback)
Series: Afterall Books / One Work
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List price R532
Loot Price R431
Discovery Miles 4 310
You Save R101 (19%)
Expected to ship within 9 - 15 working days
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An illustrated study that casts a new light on Oiticica's most
important work of "quasi-cinema" on its fortieth anniversary. Helio
Oiticica (1937-1980) occupies a central position in the Latin
American avant-garde of the postwar era. Associated with the Rio de
Janeiro-based neo-concretist movement at the beginning of his
career, Oiticica moved from object production to the creation of
chromatically opulent and sensually engulfing large-scale
installations or wearable garments. Building on the idea for a film
by Brazilian underground filmmaker Neville D'Almeida, Oiticica
developed the concept for Block-Experiments in Cosmococa-Program in
Progress (1973-1974) as an "open program": a series of nine
proposals for environments, each consisting of slide projections,
soundtracks, leisure facilities, drawings (with cocaine used as
pigment), and instructions for visitors. It is the epitome of what
the artist called his "quasi-cinema" work-his most controversial
production, and perhaps his most direct effort to merge art and
life. Presented publicly for the first time in 1992, these works
have been included in major international exhibitions in Los
Angeles, Chicago, London, and New York. Drawing on unpublished
primary sources, letters, and writings by Oiticica himself, this
illustrated examination of Oiticica's work considers the vast
catalog of theoretical references the artist's work relies on, from
anticolonial materialism to French phenomenology and postmodern
media theory to the work of Jean-Luc Godard, Andy Warhol, and
Brazilian avant-garde filmmakers. It discusses Oiticica's work in
relation to the diaspora of Brazilian intellectuals during the
military dictatorship, the politics of media circulation, the
commercialization of New York's queer underground, the explicit use
of cocaine as means of production, and possible future reappraisals
of Oiticica's work.
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