During the 19th century, photography was almost absolutely
considered to represent a medium guaranteeing authenticity. By
contrast, in literature and film of the 20th century, it was
precisely this characteristic attributed to the photographic method
that was problematized and varied. Based on specific case studies
from literature and film, the collected contributions of this book
focus on the evidence of photography and its presentation in
different, specifically narrating forms. The authors are scholars
of German, English and Romance literature and the cultural sciences
as well as media scholars.
General
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