Everyday life in the far outposts of empire can be static, empty
of the excitement of progress. A pervading sense of banality and
boredom are, therefore, common elements of the daily experience for
people living on the colonial periphery. Saikat Majumdar suggests
that this impoverished affective experience of colonial modernity
significantly shapes the innovative aesthetics of modernist
fiction.
"Prose of the World" explores the global life of this narrative
aesthetic, from late-colonial modernism to the present day,
focusing on a writer each from Ireland, New Zealand, South Africa,
and India. Ranging from James Joyce's deflated epiphanies to Amit
Chaudhuri's disavowal of the grand spectacle of postcolonial
national allegories, Majumdar foregrounds the banal as a key
instinct of modern and contemporary fiction -- one that
nevertheless remains submerged because of its antithetical relation
to literature's intuitive function to engage or excite.
Majumdar asks us to rethink the assumption that banality merely
indicates an aesthetic failure. If narrative is traditionally
enabled by the tremor, velocity, and excitement of the event, the
historical and affective lack implied by the banal produces a
narrative force that is radically new precisely because it suspends
the conventional impulses of narration.
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