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Locating the Gothic in British Modernity (Paperback)
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Locating the Gothic in British Modernity (Paperback)
Series: Clemson University Press
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The late-Victorian era has been extensively researched as a period
of Gothic literature, and this study seeks to build upon this body
of work by connecting the content of such studies to the early
decades of the twentieth century, which are less often seen in
terms of Gothic or supernatural literature. Beginning with the
quintessentially urban Gothic space of fin de siecle London, as
represented in classic texts such as Dracula and Arthur Machen's
The Great God Pan, the study proceeds to ask how the themes and
energies which emerge in this moment evolve throughout the early
twentieth century. In the ghost stories of authors like M.R. James,
the Edwardian era witnesses an uncanny return to the rural English
landscape, in which modernity encounters the re-emergence of
suppressed fears and forces. After World War One, London again
experiences a renewal of Gothic themes, with figures such as D.H.
Lawrence and T.S. Eliot representing the city as a stricken and
desolate space, haunted by the trauma and ghosts of the recent
conflict. That legacy of violence and loss is also evident in rural
representations of place in the 1920s and 1930s, along with a
renewed interest in supernaturalism and paganism found in authors
like Sylvia Townsend Warner and Mary Butts. Ultimately, this study
argues, this period of dramatic social and cultural change is
shadowed by a corresponding evolution in Gothic literary
representation, whether that is expressed through modernist
experimentation or more conventional narrative forms.
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