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Books > Arts & Architecture > Music > Western music, periods & styles > Classical music (c 1750 to c 1830)

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Music at German Courts, 1715-1760 - Changing Artistic Priorities (Hardcover, New) Loot Price: R3,283
Discovery Miles 32 830
Music at German Courts, 1715-1760 - Changing Artistic Priorities (Hardcover, New): Samantha Owens, Barbara Reul, Janice Stockigt

Music at German Courts, 1715-1760 - Changing Artistic Priorities (Hardcover, New)

Samantha Owens, Barbara Reul, Janice Stockigt; Contributions by Alina Zorawska-Witkowska, Barbara Reul, Barbel Pelker, Bert Siegmund, Dieter Kirsch, Janice Stockigt, Mary Oleskiewicz

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Loot Price R3,283 Discovery Miles 32 830 | Repayment Terms: R308 pm x 12*

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Music at German Courts serves to illustrate the extraordinary diversity of eighteenth-century German court music establishments without losing sight of what these Kapellen had in common. What was musical life at German courts really like during the eighteenth century? Were musical ensembles as diverse as the Holy Roman Empire's kaleidoscopic political landscape? Through a series of individual case studies contributed by leading scholars from Germany, Poland, the United States, Canada, and Australia, this book investigates the realities of musical life at fifteen German courts of varied size (ranging from kingdoms to principalities), religious denomination, and geographical location. Significant shifts that occurred in the artistic priorities of each court are presented through a series of "snapshots"- in effect "core sample" years - which highlight both individualand shared patterns of development and decline. What emerges from the wealth of primary source material examined in this volume is an in-depth picture of music-making within the daily life of individual courts, featuring acast of music directors, instrumentalists, and vocalists, together with numerous support staff drawn from across Europe. Music at German Courts serves to illustrate the extraordinary diversity of eighteenth-century German court music establishments without losing sight of what these Kapellen had in common. SAMANTHA OWENS is Senior Lecturer in Musicology at the University of Queensland, Brisbane, Australia. BARBARA M. REUL is Associate Professor of Musicology at Luther College, University of Regina, Canada. JANICE B. STOCKIGT is a Principal Fellow of the University of Melbourne, Australia. Contributors: DIETER KIRSCH, URSULA KRAMER, MICHAEL MAUL, MARY OLESKIEWICZ, SAMANTHA OWENS, RASHID-S. PEGAH, BAERBEL PELKER, BARBARA M. REUL, WOLFGANG RUF, BERT SIEGMUND, JANICE B. STOCKIGT, MICHAEL TALBOT, RUEDIGER THOMSEN-FUERST, ALINA ZORAWSKA-WITKOWSKA, STEVEN ZOHN

General

Imprint: The Boydell Press
Country of origin: United Kingdom
Release date: March 2011
First published: 2011
Editors: Samantha Owens • Barbara Reul (Customer) • Janice Stockigt
Contributors: Alina Zorawska-Witkowska • Barbara Reul (Customer) • Barbel Pelker • Bert Siegmund • Dieter Kirsch • Janice Stockigt • Mary Oleskiewicz (Contributor)
Dimensions: 234 x 156 x 44mm (L x W x T)
Format: Hardcover - Cloth over boards
Pages: 504
Edition: New
ISBN-13: 978-1-84383-598-1
Categories: Books > Arts & Architecture > Music > Western music, periods & styles > Baroque music (c 1600 to c 1750)
Books > Arts & Architecture > Music > Western music, periods & styles > Classical music (c 1750 to c 1830)
Books > Music > Western music, periods & styles > Baroque music (c 1600 to c 1750)
Books > Music > Western music, periods & styles > Classical music (c 1750 to c 1830)
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LSN: 1-84383-598-3
Barcode: 9781843835981

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