This is the first book to examine the various uses of the Arthurian
legend in Hollywood film, covering films from the 1920s to the
present. The authors use five representational categories:
intertextual collage (or "cult" film); melodrama, which focuses on
the love triangle; conservative propaganda, pervasive during the
Cold War; the Hollywood epic; and the postmodern quest, which
commonly employs the grail portion of the legend. Arguing that
filmmakers rely on the audience's rudimentary familiarity with the
legend, the authors show that only certain features of the legend
are activated at any particular time. This fascinating study shows
us how the legend has been adapted and how through the popular
medium of Hollywood films, the Arthurian legend has survived and
flourished.
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