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Theatricality as Medium (Hardcover, New)
Loot Price: R2,727
Discovery Miles 27 270
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Theatricality as Medium (Hardcover, New)
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Ever since Aristotle's Poetics, both the theory and the practice of
theater have been governed by the assumption that it is a form of
representation dominated by what Aristotle calls the "mythos," or
the "plot." This conception of theater has subordinated
characteristics related to the theatrical medium, such as the
process and place of staging, to the demands of a unified
narrative. This readable, thought-provoking, and multidisciplinary
study explores theatrical writings that question this
aesthetical-generic conception and seek instead to work with the
medium of theatricality itself. Beginning with Plato, Samuel Weber
tracks the uneasy relationships among theater, ethics, and
philosophy through Aristotle, the major Greek tragedians,
Shakespeare, Kierkegaard, Kafka, Freud, Benjamin, Artaud, and many
others who develop alternatives to dominant narrative-aesthetic
assumptions about the theatrical medium. His readings also
interrogate the relation of theatricality to the introduction of
electronic media. The result is to show that, far from breaking
with the characteristics of live staged performance, the new media
intensify ambivalences about place and identity already at work in
theater since the Greeks. Praise for Samuel Weber: aWhat kind of
questioning is primarily after something other than an answer that
can be measured . . . in cognitive terms? Those interested in the
links between modern philosophy nd media culture will be impressed
by the unusual intellectual clarity and depth with which Weber
formulates the . . . questions that constiture the true challenge
to cultural studies today. . . . one of our most important cultural
critics and thinkersaaMLN
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