While Woody Allen is generally considered to be a master of the
comic genre he created, his serious films are very important in
understanding his role as one of this generation's more influential
filmmakers. In this work such Allen films as Annie Hall (1977),
Broadway Danny Rose (1984), Crimes and Misdemeanors (1989) and
Mighty Aphrodite (1995) are analysed for the common philosophical
themes they share. Gender issues, Allen's love-hate relationship
with God, narcissism and moral relativism, and the use of the
so-called existential dilemma are among the topics discussed. The
extensive research is augmented with a rare interview with Allen.
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